2 Search Results for "Galanter, Philip"


Document
Notes from the Discussion Group on "Evaluation"

Authors: David Brown

Published in: Dagstuhl Seminar Proceedings, Volume 9291, Computational Creativity: An Interdisciplinary Approach (2009)


Abstract
Group Members: Harold Cohen, Maggie Boden, Dave Brown, Paul Brown, Oliver Deussen, Philip Galanter. These notes represent approximately what was discussed by the group members over a period of several hours over two days. There has been some attempt to organize the material, but little attempt to expand it to make it coherent—we rambled, so do the notes. The notes, and this report, were recorded, organized, and elaborated into this form by Dave Brown.

Cite as

David Brown. Notes from the Discussion Group on "Evaluation". In Computational Creativity: An Interdisciplinary Approach. Dagstuhl Seminar Proceedings, Volume 9291, Schloss Dagstuhl – Leibniz-Zentrum für Informatik (2009)


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@InProceedings{brown:DagSemProc.09291.22,
  author =	{Brown, David},
  title =	{{Notes from the Discussion Group on "Evaluation"}},
  booktitle =	{Computational Creativity: An Interdisciplinary Approach},
  series =	{Dagstuhl Seminar Proceedings (DagSemProc)},
  ISSN =	{1862-4405},
  year =	{2009},
  volume =	{9291},
  editor =	{Margaret Boden and Mark D'Inverno and Jon McCormack},
  publisher =	{Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
  address =	{Dagstuhl, Germany},
  URL =		{https://drops-dev.dagstuhl.de/entities/document/10.4230/DagSemProc.09291.22},
  URN =		{urn:nbn:de:0030-drops-22128},
  doi =		{10.4230/DagSemProc.09291.22},
  annote =	{Keywords: Evaluation, art, artistic, creativity}
}
Document
Thoughts on Computational Creativity

Authors: Philip Galanter

Published in: Dagstuhl Seminar Proceedings, Volume 9291, Computational Creativity: An Interdisciplinary Approach (2009)


Abstract
There is a close relationship between computational creativity in the arts and generative art. Prior work is summarized here as to how complexity theory can serve as a theoretical context for generative art. This is extended to show how complexity theory can also illuminate discussions regarding computational creativity. Another prior proposal is also summarized. It suggests that a world-view called “complexism” can reconcile the current differences between the modern culture of science and the postmodern culture of the humanities. This line is also extended to considerations regarding computational creativity. Particular attention is extended here to the issues of authorship, progress, and aesthetic measurement in computational creativity. Finally, under artistic license, I discuss some very speculative ideas regarding computational creativity that I explore in my current artwork.

Cite as

Philip Galanter. Thoughts on Computational Creativity. In Computational Creativity: An Interdisciplinary Approach. Dagstuhl Seminar Proceedings, Volume 9291, Schloss Dagstuhl – Leibniz-Zentrum für Informatik (2009)


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@InProceedings{galanter:DagSemProc.09291.32,
  author =	{Galanter, Philip},
  title =	{{Thoughts on Computational Creativity}},
  booktitle =	{Computational Creativity: An Interdisciplinary Approach},
  series =	{Dagstuhl Seminar Proceedings (DagSemProc)},
  ISSN =	{1862-4405},
  year =	{2009},
  volume =	{9291},
  editor =	{Margaret Boden and Mark D'Inverno and Jon McCormack},
  publisher =	{Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
  address =	{Dagstuhl, Germany},
  URL =		{https://drops-dev.dagstuhl.de/entities/document/10.4230/DagSemProc.09291.32},
  URN =		{urn:nbn:de:0030-drops-21935},
  doi =		{10.4230/DagSemProc.09291.32},
  annote =	{Keywords: Generative art, complexity, complexism, computational creativity, modernism, postmodernism, art, art theory, computer art}
}
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