Abstract
Proper representation of music must often be ambiguous and/or multiple.
I give examples of this and propose some high-level strategies.
BibTeX - Entry
@InProceedings{marsden:DSP:2009:1969,
author = {Alan Marsden},
title = {Ambiguity and Multiplicity in Music Representation},
booktitle = {Knowledge representation for intelligent music processing },
year = {2009},
editor = {Eleanor Selfridge-Field and Frans Wiering and Geraint A. Wiggins},
number = {09051},
series = {Dagstuhl Seminar Proceedings},
ISSN = {1862-4405},
publisher = {Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany},
address = {Dagstuhl, Germany},
URL = {http://drops.dagstuhl.de/opus/volltexte/2009/1969},
annote = {Keywords: Music Representation}
}
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Keywords: |
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Music Representation |
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Seminar: |
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09051 - Knowledge representation for intelligent music processing |
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Issue Date: |
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2009 |
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Date of publication: |
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02.04.2009 |
