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          <dc:title>Narrativity and Textuality in the Study of Stories</dc:title>
          <dc:creator>Simon-Shoshan, Moshe</dc:creator>
          <dc:subject>Narrative theory</dc:subject>
          <dc:subject>definition of narrative</dc:subject>
          <dc:subject>narrative structure</dc:subject>
          <dc:subject>anecdotes</dc:subject>
          <dc:description>This paper seeks to investigate some of the defining elements of&#13;
narrative. The underlying assumption of my discussion is that the&#13;
terms "narrative" and "story" do not refer to clearly defined,&#13;
self-enclosed genres. Rather, they are part of a spectrum which&#13;
embraces all forms of texts. Similarly, narratives and stories are not&#13;
independent discourses but rather are an integral part of virtually&#13;
all forms of discourse, be it day-to-day conversation or more&#13;
specialized discourses. In order to analyze the relationship between&#13;
narratives and other modes of discourse, we introduce the concept of&#13;
narrativity. Narrativity refers to a collection of textual attributes.&#13;
All texts exist along a continuum of greater or lesser narrativity,&#13;
depending on the number and prominence of the narrative attributes&#13;
they contain. When we refer to a text as a story, we mean that it&#13;
contains a critical mass of narrativity. Most theorists of narrative&#13;
have defined narrativity purely in terms of "dynamism" - that is, the&#13;
extent to which a text portrays transition and change. To this I have&#13;
added the quality of "specificity". Specificity refers to the extent&#13;
to which a text focuses on a particular time or place, a unique event,&#13;
or individual people and objects. Many if not most texts contain a&#13;
certain degree of narrativity. We established, however, that in order&#13;
to be considered a story the text must present a sequence of at least&#13;
two interrelated events that occurred once and only once in the past.&#13;
In other words, a story must have a certain degree of dynamism in that&#13;
it portrays the transition from at least one event to another. It must&#13;
also have specificity at least to the degree that the text narrates&#13;
events that happened at a fixed time in the past. This theoretical&#13;
framework allows us to chart the relationship between different types&#13;
of texts within a single discourse. It also gives us a vocabulary for&#13;
discussing different parts of more complex narratives which often&#13;
contain elements of varying narrativity. The paper then goes on to&#13;
discuss the concept of narrative structure, arguing that narrative&#13;
structure is not an inherent attribute of narrative texts but a&#13;
framework that the reader imposes on the text in order to make it&#13;
intelligible in terms of other narratives. The structure which the&#13;
reader abstracts from a given narrative will be heavily dependent on&#13;
the context of the narrative with in a wider discourse.</dc:description>
          <dc:publisher>Schloss Dagstuhl – Leibniz-Zentrum für Informatik</dc:publisher>
          <dc:contributor>Moshe Simon-Shoshan</dc:contributor>
          <dc:date>2013</dc:date>
          <dc:relation>Is Part Of OASIcs, Volume 32, 2013 Workshop on Computational Models of Narrative</dc:relation>
          <dc:type>InProceedings</dc:type>
          <dc:type>Text</dc:type>
          <dc:type>doc-type:ResearchArticle</dc:type>
          <dc:type>publishedVersion</dc:type>
          <dc:format>application/pdf</dc:format>
          <dc:identifier>doi:10.4230/OASIcs.CMN.2013.228</dc:identifier>
          <dc:identifier>urn:nbn:de:0030-drops-41365</dc:identifier>
          <dc:identifier>https://drops.dagstuhl.de/entities/document/10.4230/OASIcs.CMN.2013.228</dc:identifier>
          <dc:language>eng</dc:language>
          <dc:rights>https://creativecommons.org/licenses/by/3.0/legalcode</dc:rights>
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