Art, Visual Illusions, and Data Visualization (Dagstuhl Seminar 24301)

Authors Christophe Hurter, Claus-Christian Carbon, Mauro Martino, Bernice E. Rogowitz and all authors of the abstracts in this report



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Author Details

Christophe Hurter
  • University of Toulouse, FR, Fédération ENAC ISAE-SUPAERO ONERA, FR & IPAL - Singapore, SG
Claus-Christian Carbon
  • Universität Bamberg, DE
Mauro Martino
  • MIT-IBM Watson AI Lab - Cambridge, US
Bernice E. Rogowitz
  • Visual Perspectives - New York, US
and all authors of the abstracts in this report

Cite As Get BibTex

Christophe Hurter, Claus-Christian Carbon, Mauro Martino, and Bernice E. Rogowitz. Art, Visual Illusions, and Data Visualization (Dagstuhl Seminar 24301). In Dagstuhl Reports, Volume 14, Issue 7, pp. 81-114, Schloss Dagstuhl – Leibniz-Zentrum für Informatik (2025) https://doi.org/10.4230/DagRep.14.7.81

Abstract

This report presents the program and outcomes of Dagstuhl Seminar 24301, titled "Art, Visual Illusions, and Data Visualization." The seminar explored the intersection of art, visual illusions, and data science - three distinct yet interconnected disciplines that share a focus on visual representation and perception. Art serves as a medium for storytelling and complex visual communication, while visual illusions offer insights into cognitive and perceptual mechanisms. Data science complements these fields with advanced methods for analyzing and visualizing complex datasets. The seminar examined historical and contemporary examples of the interplay between these domains, showcasing artists such as M.C. Escher, Bridget Riley, and Yayoi Kusama, as well as modern practitioners like Laurie Frick, Refik Anadol, and Giorgia Lupi. These examples illustrate how visual illusions and data visualization techniques have been used to challenge perceptions, uncover hidden patterns, and foster deeper understanding. By bringing together experts in art, cognitive psychology, and data science, the seminar fostered interdisciplinary dialogue and collaboration. Participants explored innovative approaches to visual storytelling and data communication, emphasizing the potential of integrating artistic methods, perceptual insights, and computational tools to create engaging and intuitive visualizations. The seminar highlighted the rich synergies at the intersection of these fields, advancing both theory and practice in visual representation and perception.

Subject Classification

ACM Subject Classification
  • Computing methodologies → Artificial intelligence
  • Computing methodologies → Computer vision
  • Theory of computation → Pattern matching
  • Information systems → Data structures
  • Theory of computation → Distributed algorithms
  • Computing methodologies → Computer graphics
  • Human-centered computing → Human computer interaction (HCI)
  • Mathematics of computing → Information theory
  • Information systems → Multimedia information systems
  • Computing methodologies → Neural networks
Keywords
  • Data Visualization
  • Perception
  • Cognition
  • Art
  • Visual Illusions
  • Generative Art
  • Artificial Intelligence (AI)
  • Machine Learning (ML)
  • Cognitive Psychology
  • Human-Computer Interaction
  • Creativity
  • Empirical Aesthetics

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