<h2>Dagstuhl Seminar Proceedings, Volume 9291, </h2> <ul> <li> <span class="authors">Margaret Boden, Mark D'Inverno, and Jon McCormack</span> <span class="title">09291 Abstracts Collection – Computational Creativity: an interdisciplinary approach</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.1">10.4230/DagSemProc.09291.1</a> </li> <li> <span class="authors">Jon McCormack, Margaret Boden, and Mark D'Inverno</span> <span class="title">09291 Summary – Computational Creativity: an interdisciplinary approach</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.2">10.4230/DagSemProc.09291.2</a> </li> <li> <span class="authors">Tim Taylor</span> <span class="title">A Creative Dance: Symbols, Action and the Bringing Forth of Meaning</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.3">10.4230/DagSemProc.09291.3</a> </li> <li> <span class="authors">Oliver Bown</span> <span class="title">Against Individual Creativity</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.4">10.4230/DagSemProc.09291.4</a> </li> <li> <span class="authors">Rob Saunders</span> <span class="title">Artificial Creative Systems: Completing the Creative Cycle</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.5">10.4230/DagSemProc.09291.5</a> </li> <li> <span class="authors">Barry McMullin</span> <span class="title">Artificial Life Meets Computational Creativity?</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.6">10.4230/DagSemProc.09291.6</a> </li> <li> <span class="authors">Paul Brown</span> <span class="title">Autonomy, Signature and Creativity</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.7">10.4230/DagSemProc.09291.7</a> </li> <li> <span class="authors">Matthew R. Lewis</span> <span class="title">Casually Evolving Creative Technology Systems</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.8">10.4230/DagSemProc.09291.8</a> </li> <li> <span class="authors">David Brown</span> <span class="title">Computational Artistic Creativity and its Evaluation</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.9">10.4230/DagSemProc.09291.9</a> </li> <li> <span class="authors">Iris Asaf</span> <span class="title">Computational Creativity through a Gap</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.10">10.4230/DagSemProc.09291.10</a> </li> <li> <span class="authors">Oliver Bown and Jon McCormack</span> <span class="title">Creative Agency: A Clearer Goal for Artificial Life in the Arts</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.11">10.4230/DagSemProc.09291.11</a> </li> <li> <span class="authors">Michael Young</span> <span class="title">Creative Computers, Improvisation and Intimacy</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.12">10.4230/DagSemProc.09291.12</a> </li> <li> <span class="authors">Jon McCormack</span> <span class="title">Creative Ecosystems</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.13">10.4230/DagSemProc.09291.13</a> </li> <li> <span class="authors">Juergen Schmidhuber</span> <span class="title">Driven by Compression Progress: A Simple Principle Explains Essential Aspects of Subjective Beauty, Novelty, Surprise, Interestingness, Attention, Curiosity, Creativity, Art, Science, Music, Jokes.</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.14">10.4230/DagSemProc.09291.14</a> </li> <li> <span class="authors">Alex McLean</span> <span class="title">Embodied creativity</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.15">10.4230/DagSemProc.09291.15</a> </li> <li> <span class="authors">Frieder Nake</span> <span class="title">Humans Create, Occasionally. Computers Operate, Always</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.16">10.4230/DagSemProc.09291.16</a> </li> <li> <span class="authors">Palle Dahlstedt</span> <span class="title">Ideas and Tools in Material Space - an extended spatial model of creativity</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.17">10.4230/DagSemProc.09291.17</a> </li> <li> <span class="authors">Alan Dorin and Kevin B Korb</span> <span class="title">Improbable Creativity</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.18">10.4230/DagSemProc.09291.18</a> </li> <li> <span class="authors">Inman Harvey</span> <span class="title">In Praise of Evolution and Opacity</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.19">10.4230/DagSemProc.09291.19</a> </li> <li> <span class="authors">Tim Blackwell</span> <span class="title">Live Algorithms</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.20">10.4230/DagSemProc.09291.20</a> </li> <li> <span class="authors">Margaret Boden</span> <span class="title">Mind as Machine (extract) and THE CREATIVE MIND: MYTHS AND MECHANISMS (extract)</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.21">10.4230/DagSemProc.09291.21</a> </li> <li> <span class="authors">David Brown</span> <span class="title">Notes from the Discussion Group on "Evaluation"</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.22">10.4230/DagSemProc.09291.22</a> </li> <li> <span class="authors">Peter A. Cariani</span> <span class="title">Notes on the demonstration of the formation of a new "symbol"</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.23">10.4230/DagSemProc.09291.23</a> </li> <li> <span class="authors">Chris Thornton</span> <span class="title">Self-redundancy in Music</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.24">10.4230/DagSemProc.09291.24</a> </li> <li> <span class="authors">Simon Colton</span> <span class="title">Seven Catchy Phrases for Computational Creativity Research</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.25">10.4230/DagSemProc.09291.25</a> </li> <li> <span class="authors">Benjamin Porter</span> <span class="title">Simulating Morphogenesis</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.26">10.4230/DagSemProc.09291.26</a> </li> <li> <span class="authors">Ernest Edmonds</span> <span class="title">Statement</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.27">10.4230/DagSemProc.09291.27</a> </li> <li> <span class="authors">Daniel Jones, Oliver Bown, Jon McCormack, Francois Pachet, Michael Young, Rodney Berry, Iris Asaf, and Benjamin Porter</span> <span class="title">Stimulating creative flow through computational feedback</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.28">10.4230/DagSemProc.09291.28</a> </li> <li> <span class="authors">Peter A. Cariani</span> <span class="title">Strategies for creating new informational primitives in minds and machines</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.29">10.4230/DagSemProc.09291.29</a> </li> <li> <span class="authors">Rodney Berry</span> <span class="title">TANGIBLE REPRESENTATIONS AND MODES OF CREATIVE ENGAGEMENT</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.30">10.4230/DagSemProc.09291.30</a> </li> <li> <span class="authors">Harold Cohen</span> <span class="title">The Art of Self-Assembly: the Self-Assemby of Art</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.31">10.4230/DagSemProc.09291.31</a> </li> <li> <span class="authors">Philip Galanter</span> <span class="title">Thoughts on Computational Creativity</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.32">10.4230/DagSemProc.09291.32</a> </li> <li> <span class="authors">Ernest Edmonds</span> <span class="title">Words on the Creativity and Cognition Studios contribution</span> <a class="doi" href="https://doi.org/10.4230/DagSemProc.09291.33">10.4230/DagSemProc.09291.33</a> </li> </ul>
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