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Stimulating creative flow through computational feedback

Authors: Daniel Jones, Oliver Bown, Jon McCormack, Francois Pachet, Michael Young, Rodney Berry, Iris Asaf, and Benjamin Porter

Published in: Dagstuhl Seminar Proceedings, Volume 9291, Computational Creativity: An Interdisciplinary Approach (2009)

Abstract

This report summarises the discussion and experimental work produced by the authors at the 2009 symposium Computational Creativity: An Interdisciplinary Approach, Dagstuhl Leibniz-Zentrum für Informatik. It outlines the motivation for using computational techniques to stimulate human creativity, briefly summarising its historical context and predecessors, and describes two software studies produced by the group as base-line exemplars of these ideas.

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Daniel Jones, Oliver Bown, Jon McCormack, Francois Pachet, Michael Young, Rodney Berry, Iris Asaf, and Benjamin Porter. Stimulating creative flow through computational feedback. In Computational Creativity: An Interdisciplinary Approach. Dagstuhl Seminar Proceedings, Volume 9291, pp. 1-10, Schloss Dagstuhl – Leibniz-Zentrum für Informatik (2009)

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@InProceedings{jones_et_al:DagSemProc.09291.28,
  author =	{Jones, Daniel and Bown, Oliver and McCormack, Jon and Pachet, Francois and Young, Michael and Berry, Rodney and Asaf, Iris and Porter, Benjamin},
  title =	{{Stimulating creative flow through computational feedback}},
  booktitle =	{Computational Creativity: An Interdisciplinary Approach},
  pages =	{1--10},
  series =	{Dagstuhl Seminar Proceedings (DagSemProc)},
  ISSN =	{1862-4405},
  year =	{2009},
  volume =	{9291},
  editor =	{Margaret Boden and Mark D'Inverno and Jon McCormack},
  publisher =	{Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
  address =	{Dagstuhl, Germany},
  URL =		{https://drops.dagstuhl.de/entities/document/10.4230/DagSemProc.09291.28},
  URN =		{urn:nbn:de:0030-drops-22232},
  doi =		{10.4230/DagSemProc.09291.28},
  annote =	{Keywords: Computational creativity}
}

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DOI: 10.4230/DagSemProc.09291.30

TANGIBLE REPRESENTATIONS AND MODES OF CREATIVE ENGAGEMENT

Authors: Rodney Berry

Published in: Dagstuhl Seminar Proceedings, Volume 9291, Computational Creativity: An Interdisciplinary Approach (2009)

Abstract

Tangible interfaces are finding their way into various areas of creative activity, particularly in the creation of music. Tangible representations of musical information, together with their graphical counterparts, play an important role in increasingly complex representational systems. This paper explores the relationships between these representations in the context of various modes of compositional (and by extension, creative) engagement adopted by composers in their working process.

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Rodney Berry. TANGIBLE REPRESENTATIONS AND MODES OF CREATIVE ENGAGEMENT. In Computational Creativity: An Interdisciplinary Approach. Dagstuhl Seminar Proceedings, Volume 9291, pp. 1-10, Schloss Dagstuhl – Leibniz-Zentrum für Informatik (2009)

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@InProceedings{berry:DagSemProc.09291.30,
  author =	{Berry, Rodney},
  title =	{{TANGIBLE REPRESENTATIONS AND MODES OF CREATIVE ENGAGEMENT}},
  booktitle =	{Computational Creativity: An Interdisciplinary Approach},
  pages =	{1--10},
  series =	{Dagstuhl Seminar Proceedings (DagSemProc)},
  ISSN =	{1862-4405},
  year =	{2009},
  volume =	{9291},
  editor =	{Margaret Boden and Mark D'Inverno and Jon McCormack},
  publisher =	{Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
  address =	{Dagstuhl, Germany},
  URL =		{https://drops.dagstuhl.de/entities/document/10.4230/DagSemProc.09291.30},
  URN =		{urn:nbn:de:0030-drops-22087},
  doi =		{10.4230/DagSemProc.09291.30},
  annote =	{Keywords: Computational creativity}
}

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Stimulating creative flow through computational feedback

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TANGIBLE REPRESENTATIONS AND MODES OF CREATIVE ENGAGEMENT

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