2 Search Results for "Cohen, Harold"


Document
Notes from the Discussion Group on "Evaluation"

Authors: David Brown

Published in: Dagstuhl Seminar Proceedings, Volume 9291, Computational Creativity: An Interdisciplinary Approach (2009)


Abstract
Group Members: Harold Cohen, Maggie Boden, Dave Brown, Paul Brown, Oliver Deussen, Philip Galanter. These notes represent approximately what was discussed by the group members over a period of several hours over two days. There has been some attempt to organize the material, but little attempt to expand it to make it coherent—we rambled, so do the notes. The notes, and this report, were recorded, organized, and elaborated into this form by Dave Brown.

Cite as

David Brown. Notes from the Discussion Group on "Evaluation". In Computational Creativity: An Interdisciplinary Approach. Dagstuhl Seminar Proceedings, Volume 9291, Schloss Dagstuhl – Leibniz-Zentrum für Informatik (2009)


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@InProceedings{brown:DagSemProc.09291.22,
  author =	{Brown, David},
  title =	{{Notes from the Discussion Group on "Evaluation"}},
  booktitle =	{Computational Creativity: An Interdisciplinary Approach},
  series =	{Dagstuhl Seminar Proceedings (DagSemProc)},
  ISSN =	{1862-4405},
  year =	{2009},
  volume =	{9291},
  editor =	{Margaret Boden and Mark D'Inverno and Jon McCormack},
  publisher =	{Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
  address =	{Dagstuhl, Germany},
  URL =		{https://drops-dev.dagstuhl.de/entities/document/10.4230/DagSemProc.09291.22},
  URN =		{urn:nbn:de:0030-drops-22128},
  doi =		{10.4230/DagSemProc.09291.22},
  annote =	{Keywords: Evaluation, art, artistic, creativity}
}
Document
The Art of Self-Assembly: the Self-Assemby of Art

Authors: Harold Cohen

Published in: Dagstuhl Seminar Proceedings, Volume 9291, Computational Creativity: An Interdisciplinary Approach (2009)


Abstract
AARON is a semi-autonomous art-making program that has been under continuous development for nearly forty years. This paper discusses the origins and development of two critical features in it's most version; a coloring algorithm and an algorithmic shape generator. It concludes that for the foreseeable future, "computational creativity" does not so much describe the creative capabilities of a computer program as the nature of the collaborative relationship between program and programmer.

Cite as

Harold Cohen. The Art of Self-Assembly: the Self-Assemby of Art. In Computational Creativity: An Interdisciplinary Approach. Dagstuhl Seminar Proceedings, Volume 9291, Schloss Dagstuhl – Leibniz-Zentrum für Informatik (2009)


Copy BibTex To Clipboard

@InProceedings{cohen:DagSemProc.09291.31,
  author =	{Cohen, Harold},
  title =	{{The Art of Self-Assembly: the Self-Assemby of Art}},
  booktitle =	{Computational Creativity: An Interdisciplinary Approach},
  series =	{Dagstuhl Seminar Proceedings (DagSemProc)},
  ISSN =	{1862-4405},
  year =	{2009},
  volume =	{9291},
  editor =	{Margaret Boden and Mark D'Inverno and Jon McCormack},
  publisher =	{Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
  address =	{Dagstuhl, Germany},
  URL =		{https://drops-dev.dagstuhl.de/entities/document/10.4230/DagSemProc.09291.31},
  URN =		{urn:nbn:de:0030-drops-22023},
  doi =		{10.4230/DagSemProc.09291.31},
  annote =	{Keywords: Computational creativity}
}
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